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Yet again, this is another magazine that seemingly didn’t make to over to any of the speciality shops or Japanese bookstores shops in Australia, so I never got a chance to look at it. “Kikan Anime Hihyou (Quarterly Anime Review)”Īs you can imagine, this magazine was created to blatantly promote AIC properties. It is unknown why this magazine was discontinued, however I have read on one or two websites that the cover price was considered too high, so that may have been a contributing factor. The first issue also contains a feature on UFO Catcher prizes released the previous year, and an article on Fujiko from the “Lupin III” series.
#Anime gataris insert artist series#
Other articles and features on old anime and tokusastu series not only focus on the series themselves but also merchandise such as figures, diecast model and model kits. The very first issue has a major feature on “Getter Robo” and includes synopses, manga excerpts and images of various toys and figures. There is an obvious emphasis on older anime and tokusatsu series. The main readership the publishers where courting seems to be the older anime and tokusastu otaku male. Known as “Charadama” for short (the title of which adored latter issuees), this magazine was actually published as a soft cover mook with a dust jacket. I believe this magazine ran for only five issues. This is one magazine which I have never owned or seen a copy of. Publication Dates: January 1999 – January 2000 Some issues also contained CD-ROMs, though none of the issues I have include these. I note that in the latter issues of the magazine, the hentai games/OVA reviews are pretty much non-existent. There was an expanded fandom section (fan art, letters and the like) and there seemed to be quite a lot of hentai game reviews. In May 1999 the magazine changed its name to Dengeki Animation Magazine. There’s four pages of reviews and some of the pictures are a little explicit. The odd thing which I never seen before in a magazine of this type is that they covered hentai anime OVAs.
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As you’d imagine, there isn’t much that is different in content from other anime magazines of the era including features on currently screening anime, the obligatory manga insert, animation design sheets, several columns from industry people, album, singe and video release dates, TV broadcast times, bonus poster etc. When Bandai pulled the plug on B-Club magazine, the editorial staff went straight into publishing this B-magazine. Publication Dates: April 1998 – April 2001 “Dengeki B-magazine” and “Dengeki Animation Magazine” However the DVD increased the cover price by 200 yen, with no increase in length (still only 80 pages). A bonus DVD came with most issues from mid-2000 to the magazine’s eventual end.
![anime gataris insert artist anime gataris insert artist](https://www.monstersandcritics.com/wp-content/uploads/2019/02/The-Rising-Of-The-Shield-Hero-anime-producer-discusses-Tate-no-Yuusha-no-Nariagari-I-will-protecc-Raphtalia.jpg)
It was rather noticeable by this time that with the inclusion of the discs, the magazine had gone from about 170 pages to about 80 and with a 100 yen price increase. In 2000, select issues came with a CD-ROM.
#Anime gataris insert artist free#
In mid-1999, the occasional issues came with a free VCD, filled mostly with trailers for anime and games. I’m assuming Sony must have had a sizable financial stake in the series. The magazine also heavily promoted “Nurse Naniko” and “Jubei the Secret of the Lovely Eyepatch”, with excerpts of manga adaptations. Newtype, Animage and Animedia) this magazine initially contained the same sort of content features on upcoming and screening anime, animation design reference sheets, interviews with creators and voice actors, manga, poster inserts, new game releases, broadcast and video release information and fandom sections (fan art and letters). Very much like the top three selling monthly anime magazines (i.e. Publication Dates: March 1998 – October 2001